Tuesday, January 23, 2007
Technology at war in Iraq
![]() | ![]() | By Andrew North BBC News, Baghdad |
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What's Baghdad like now, someone I was talking to in London asked me last week.
"Like a pressure cooker about to explode," I said.
That's how it feels.
With the announcement of the new plan to secure Baghdad, it is not just the Americans and Iraqi government gearing up for a last big push. The insurgents and militias are too. Many seem to be starting their offensive early.
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The violence becomes more vicious, random and constant.
Gunfire in our part of Baghdad carries on long into the night now. The distinctive sound of mortars being fired or car bombs wake us up most mornings.
But several incidents stand out.
A gangland-style shooting at an evening groceries market in east Baghdad. Gunmen drove up and raked the stalls with machinegun rounds, leaving at least 10 people dead and many others injured.
Then there was the devastating double-bombing at Mustansiriya university in east Baghdad last week, in which 70 people were killed - most of them young students. One hundred and seventy others were injured.
First, a car bomb was set off at the university entrance. Then, a suicide bomber detonated his explosives vest in a crowd fleeing the scene.
Rescue workers arriving to retrieve the dead and wounded were greeted by the sound of dozens of mobile phones ringing amongst the wreckage, as friends and relatives tried again and again to check on the fate of loved ones.
Just as depressing now is how quickly such events are forgotten. Seventy students dead in one attack. It is an amazing figure. Anywhere else it would be a story for days.
Yet as soon as the wreckage is cleared, so too are the memories.
We still travel round the city, to try to report on what's happening. But we are being more cautious than ever.
Few are aware just how important technology has become in this conflict.
I'm not talking about American laser-guided weaponry and their all-seeing drones flying above Baghdad 24 hours a day.
What's just as significant is the access ordinary Iraqis now have to day-to-day communication devices like mobiles and the internet. Some use it as part of their fight, others to survive.
A quiet revolution has occurred since Saddam's overthrow. You didn't have broadband under the Baath party. You do now.
Millions of Iraqis own mobiles. Despite the violence, the phone companies have gradually expanded coverage - although their security budgets are astronomical.
Even in places like Falluja, you get good reception.
A surreal moment comes to mind, when I was there with a US patrol.
My UK mobile rang. It was my credit card company, wanting to check a purchase. As I was talking, the patrol came under fire.
"I'm a bit busy now, I'll call you back," I shouted as I ducked behind a humvee.
Prevented from reaching her college because of fighting in her area, an academic friend decided to email questions to her students for their English literature exam
The camera-equipped mobile phone has a central place in Iraqi history now, thanks to the notorious video of Saddam Hussein's execution.
But for Ali, a doctor, it was also the only way he could show his parents and relatives his newborn son. It is just too dangerous for him to travel across town to where his parents live.
Insurgent groups have long used the internet and mobiles to get their message out, distributing clips of attacks on the Americans - long before any US version of events is available.
Wealthier families use internet phones to keep in touch with loved ones across the city and abroad.
Prevented from reaching her college because of fighting in her area, an academic friend decided to email questions to her students for their English literature exam.
I've mentioned her before in previous diaries. She talks more and more of leaving. But as long as she stays, she is determined to keep trying to educate her students, even if she now rarely sees them face to face.
But computers and Baghdad's dysfunctional power system are not a happy partnership.
Her area was without power for more than a week recently. The back-up neighbourhood generator had been damaged by a bomb.
Eventually they got it fixed. But then a passing US military vehicle snagged the electricity cables in her street.
Only one thing for it. She sent the questions out by text message.
Her problem now is how to gather up all the exam papers.
It will probably be one of the most bizarre press conferences I will cover, certainly the most grotesque.
Right up to the moment it started, none of us there really knew what to expect.
But the way we were searched beforehand told us something.
An unusually determined crowd of Iraqi police officers surrounded the entrance to the room.
We had to give up all our cameras, mobiles and microphones. One notebook and pen was all we were allowed. Some journalists had watches and sunglasses taken away, in case they held some kind of recorder.
The New York Times correspondent even had his hair searched.
It was the day Barzan Ibrahim al-Tikriti, Saddam Hussein's half brother, and Awad al-Bandar, the former chief judge of his revolutionary court, had been executed.
We had had a clue that yet again, something had gone wrong.
We got word that the two men had been executed early in the morning and reported it. But then some officials started to deny they had announced the execution. The government would not confirm it had happened officially.
Eventually, by late-morning, Ali Dabbagh, the Iraqi prime minister's spokesman announced the news - and nervously added the unfortunate detail.
The head of Saddam's half brother had become "separated" from his body. The hangman had got his macabre calculations of his weight wrong and given him too much rope.
But he said no video of the event would be shown this time.
By the afternoon though, the first conspiracy theories were circulating on the streets of Baghdad. As with Saddam's execution, it was taking on sectarian overtones. Some were saying the Shias had beheaded Barzan, a Sunni.
So we journalists were called in, to try to scotch the rumours. "We want you to be eyewitnesses, as if you were there at the execution," said Ali Dabbagh. But the video will not be released, he said.
"This was an Act of God." "But please," he said, before starting the video. "No prayers or chanting in any religious way."
The first surprise once the film started was what the two men were wearing - orange jump suits of the kind that have become infamous from Guantanamo Bay.
In some ways it was no surprise. The two men were in US custody. But you would have thought someone would have seen the potential downside of having them appear on the execution stand in those clothes.
Both men appeared to be on the verge of tears - faces stretched in anguish. But there was no sound. So, even now, we do not have a full picture of what happened.
Then the final moment came. The trap doors opened beneath the feet of the two men. Almost instantaneously the rope round Barzan al-Tikriti's neck jerks upwards. And then the camera man panned down to the pit below where we saw his body and the head, still covered by a hood, lying some distance away.
There was a stunned silence in the room. But not just because of what we had seen, I think. Also because of what this meant - that the Iraqi government is so worried and insecure, it has to show videos like this.
Sunday, January 21, 2007
The next steps for mobile media
The next steps for mobile media | |||||||
![]() It is getting easier and easier to distribute your music, films and pictures around the home. But what if you want to go further afield?
What if you want to start using all these really small devices we are carrying in our pockets to take your data with you? Music on the move is not new. Ever since the tape cassette walkman gave way to the MP3 player it has been simple to take our songs around with us. But now we're being given even more freedom. Wireless technologies are opening up new possibilities to access music on the move. "I think you'll find 2007 is going to be an exciting year for people to take everything that they normally enjoy in the living room on the road," said Keith Washo of memory technology company SanDisk. New MP3 players and phones, for example, can access music downloads stores directly without the need for a computer or cable, whilst others can tap into internet radio channels. Both developments open up a whole new world of wireless listening. All the time we are seeing neater and funkier hand-held devices, but it is our desire to access pictures on the move that is pushing developments. A prototype device from SanDisk, shown at the recent Consumer Electronics Show in Las Vegas, allows you to copy your video, films or home movies on to it and plug it into a friend's TV to watch. It even has its own remote control. It will be out in the next couple of months. Digital locks So as we approach the next act in this technology play, what about accessing your entertainment files while they are still on your PC at home?
"Today, digital media is pretty much locked up in your personal computer, and it very rarely escapes," explained Orb Networks CEO Joe Costello. "But people don't want to consume things on their personal computer, in general they want to consume it elsewhere - at work, on the laptop on the road, on their friend's PC, or their PDA, their cell phone or their TV screen." That idea is epitomised by the company's Orb program.
"Orb is a free piece of software that you download onto your home computer, wherever you put your digital media," said Mr Costello. "That software turns that machine into a little personal broadcasting system, simple as that. "It can beam your media to you wherever you are, and you can receive it on anything that's got a browser." So the question: "Can we take our home entertainment out of house?" has been answered with a resounding "Yes". But for those that do not like the environmental footprint and security implications of an always-on PC there is the Slingbox. "The straightforward concept of Sling is to be able to watch and control your home TV wherever you are. We've also recently launched a mobile product, so you can access your home TV over your mobile phone," said Slingmedia co-founder Jason Krikorian. "Ultimately it supports all of the navigation around your home TV that you're used to, so you can just press one on your keyboard and it changes the channel to BBC One." So now it is possible to view and listen to our media on the move, it begs the question - is there anything good on? |
Monday, January 15, 2007
Year of the Technophiles
If ever you had a doubt, Egyptian consumers have proven it once and for all: They are, like almost everyone else across the globe, tech junkies.
By Andrew Bossone
Monday, January 08, 2007
سرقة جوالات ضباط الشرطة
نقلا عن صحيفة "المصري اليوم"
دبي-العربية.نت
فيما شهدت الساحة المصرية جدلا واسعا بسبب لقطات فيديو تداولتها مواقع إلكترونية، تظهر وقائع تعذيب وانتهاك عرض تعرض لها مواطنون مصريون في أقسام شرطة، فجر مدونون على شبكة الإنترنت قضية تعذيب جديدة مصورة بالفيديو تظهر فيها فتاة تتعرض لتعذيب شديد كي تعترف "بجريمة قتل".
وتظهر الفتاة في اللقطات المصورة وهي مربوطة من قدميها ورجليها إلى عصا غليظة مثبتة فوق كرسيين وجسدها يتأرجح في الهواء، وتتوسل في الفيديو كليب القصير إلى شخص تلقبه بـ"الباشا" -وهو لقب عادة ما ينادى به ضباط الشرطة في مصر حاليا-، وتطلب منه أن يرحمها، ثم تقول "أنا اللي قتلته.. أنا اللي قتلته ياباشا"، ويرد شخص يبدو أنه "الباشا" الذي تقصده: "تصدقي إن التليفونات مهمة في السيكو سيكو"، بحسب ما نشرته صحيفة "المصري اليوم" الأحد 7-1-2007.
وتكمل الفتاة "إيدي ياباشا.. إيدي هاتتقطع والنبي تفك إيدي.. خلاص ياباشا". فيما لم تعرف هوية الضحية، أو هوية من يعذبها، وما إذا كانت قد وقعت في قسم شرطة أم لا.
وفي غضون ذلك، لاتزال محكمة الجنايات في القاهرة تنظر في قضيتي تعذيب تعرض في أحدهما شاب مصري يدعى عماد الكبير للتعذيب وانتهاك العرض على يد ضابط وأمين شرطة في قسم شرطة حي بولاق الدكرور الشعبي حيث يظهر في اللقطات وهو معلق من يديه ورجليه ومجرد من ملابسه وقد وضعت عصا غليظة في مؤخرته وأجبر على وصف نفسه بألفاظ جارحة، كما يتم نظر قضية أخرى ضد ضابط شرطة وزعت له لقطات وهو يوجه صفعات عنيفة إلى أحد المواطنين في قسم شرطة حي الهرم بالقاهرة فيما بدا أنها جلسة سمر مع عدد من الضباط الآخرين الذين لم يظهروا في الصورة.
وكانت مدونة مصرية شهيرة يحررها ناشط مصري هو الصحفي وائل عباس المصدر الرئيسي الذي فجر قضية "كليبات" التعذيب التي شغلت الرأي العام المصري، قبل أن تدينها 41 منظمة حقوقية وأهلية مصرية التعذيب في السجون ومقار الاحتجاز بمصر، وتطلق مبادرة من أجل التصدي للظاهرة تحت شعار "تحرير أقسام الشرطة من التعذيب والحفاظ على كرامة المصريين".
وفي حديث مع صحيفة "المصري اليوم" رجح وائل عباس أن يكون مصدر هذه اللقطات المصورة -التي يتبادلها الناس عبر البلوتوث ويقوم بنشرها في موقعه- هو سرقة جوالات ضباط الشرطة، مشيرا إلى أنه حدثت سرقة لعشرين جهاز هاتف جوال من حفلة زفاف أحد الضباط، وربما كانت بعض هذه المشاهد يتبادلها رجال الشرطة فيما بينهم أو مع أصدقائهم ثم تسربت إلى الشارع. وأضاف أنه قد تتسرب هذه اللقطات عن طريق محال صيانة المحمول إذا ما لجأ إليها بعض الضباط أو أمناء الشرطة.
وردا على سؤال أنه ليس هناك ما يدل في فيديو "الفتاة المعلقة" على أنه صور في قسم شرطة، قال عباس "الأصل أنه صور في قسم شرطة، مالم يثبت العكس، لأن صراخ الفتاة ووجهها المزرق من الألم يؤكد أن هذا ليس تمثيلا.
وأضاف "ثم استعطافها الضابط بكلمات: ياباشا.. ياباشا.. إيدي هاتتقطع، وصوت الضابط الذي يبدو أنه يصور براحته ويستخدم الزوم بل يهددها بإيحاءات جنسية، كل ذلك يؤكد صحة الفيديو، لدرجة أن الفتاة تعترف بجريمة قتل حتي تنفد بجلدها من هذا العذاب، ثم تقول إن ذلك ليس علي يد ضابط شرطة.